A cinematic quality to American photographer James Casebere’s interior, modelled, subject matter. For full clarification of his themes go to Blogroll for a link to his site.

‘For the last thirty years Casebere has consistently devised increasingly complex models and photographed them in his studio. Based solidly on an understanding of architecture as well as art historical and cinematic sources, Casebere’s abandoned spaces are hauntingly evocative.  His table-sized constructions are made of simple materials, pared down to essential forms. ‘ From Casbere’s biography on his website.

Digital print mounted on plexiglass /

Yellow Hallway #1, 2001, digital chromogenic print /

La Alberca, 2005, digital chromogenic print /

Maghreb, 2005, digital chromogenic print /

Classroom, Casa del Fascio, 2005, digital chromogenic print /

Nineveh Horizontal, 2004, digital chromogenic print /

Spiral Staircase, 2003, c-print mounted to Plexi /

Tunnel #2, 2003, digital chromogenic print /

Abadia from Lower Left, 2005, digital chromogenic print /

Four Flooded Arches from Center with Fog, 1999, dye destruction print /

Flooded Hallway from Right, 1999, dye destruction print /

Prison Cell with Skylight, 1993, dye destruction print /

Toliets, 1995, dye destruction print /

Toppled Desks, 1997, dye destruction print /

Panopticon Prison #3, 1993, dye destruction print /

Golden Apple, 1986, gelatin silver /

Arches, 1985, gelatin silver /

Cotton Mill, 1983, gelatin silver

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